斯坦•布拉哈格（Stan Brakhage，1933—2003）是一位极有影响力的美国独立电影人。在半个多世纪当中，他先后发行了四百多部原创影片，片长有的短至数秒，有的长达几小时，其中，《狗星人》、《亲眼所见的行动》、《但丁四重奏》是他最负盛名的影片。此外，他还撰写了几本有关电影的书籍，包括：《视觉隐喻》（1963）、《电影传记》（1977）以及《布拉哈格剪贴簿：1964-1980文选》（1982）。1986年，美国电影学会授予他“玛雅•德伦奖”，1989年，他又获得了“麦克道尔奖章”。他还是美国科罗拉多大学博尔德分校的电影学教授。

Back in the USSR: 250 film posters capture the cultural energy of the pre-Stalin era At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the pre-Stalin Soviet Union of the 1920s and 1930s to explore the energy and invention of this period, be...(展开全部)

Visionary Film has remained the standard text on the American avant-garde since the publication of its first edition in 1974. It has been hailed as the most complete work written on the exciting, often puzzling and always controversial genre of American avant-garde film. In this book P. Adams Sitney discusses the principle genres and the major filmmakers since Maya Deren and Al...(展开全部)

彼得·比格尔（Peter Burger），1936年生，1971年起任德国不来梅大学法国文学与比较文学教授。著有《先锋派理论》、《现代主义的衰弱》、《唯心主义美学批判》、《中介一接受一功能》（论文集）和《艺术体制：现代德国文化与文学》（与克丽斯塔·比格尔合著）等。

彼得·比格尔（Peter Burger），1936年生，1971年起任德国不来梅大学法国文学与比较文学教授。著有《先锋派理论》、《现代主义的衰弱》、《唯心主义美学批判》、《中介一接受一功能》（论文集）和《艺术体制：现代德国文化与文学》（与克丽斯塔·比格尔合著）等。

Pioneering woman crime writer Craig Rice introduces her series sleuth, gin-soaked Chicago lawyer John J. Malone John J. Malone, defender of the guilty, is notorious for getting his culpable clients off. It’s the innocent ones who are problems. Like Holly Inglehart, accused of piercing the black heart of her well-heeled and tyrannical aunt Alexandria with a lovely Florentine pap...(展开全部)

While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, po...(展开全部)

While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, po...(展开全部)

It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these...(展开全部)